The article examines the role and place of the Mystery within the structure of Mamleev’s metaphysics. The author of the article implicates the concept of “chaosmos’’, introduced by James Joyce in the experimental novel “Finnegans Wake”, to the Mamleev’s Universe. This leads to the transformation of the formula “chaos – osmosis – cosmos”, actualized by postmodern discourse, into the formula “Chaos – Osmosis – Cosmos”. Chaos here is Sacred Chaos, being one of the metaphysical manifestations of Eternal Russia. Osmosis appears (...) to be an antinomic Russian life, which combines the incompatible, and sets itself fundamentally impossible tasks. The Сosmos brings us to the tradition of Russian cosmism with its problem of microcosm and macrocosm conformity. The author of the article points out that the all-pervading and unifying element of Mamleev’s chaos is the Mystery. It is one of the five key metathemes of Mamleev’s oeuvre. The particularity of the Mystery is that it provides a link between other metathemes: utrism “I”, Death, the Abyss and Russia. In the plane of utrism “I” the Mystery is seen as the mystery of man. The Mystery is related to Death by the person’s interest of his own destiny and finiteness. The problem of overcoming death and the passion for eternal life are the central themes that concern almost all the heroes of Mamleev’s novels and short stories. For Mamleev they are the source of values aimed at the human need to achieve a higher “I”. The connection between the Mystery and the Abyss, as well as the connection between the Mystery and Russia are the strongest and the most important for Mamleev. Consideration of these connections prompts the author to conclude that Yuri Mamleev describes such dimensions of the Mystery, which go beyond the categories “unfathomable-to-us” and “unfathomable-in-itself”, introduced by S. Frank. This requires the introduction of new concepts that would bring out the essence of Mamleev’s innovations. The author of the article proposes to consider the Abyss as a “Last Mystery” by the fact it is transcendent to the transcendents themselves, that is it goes beyond the Absolute, as well as to consider Eternal Russia as a Russia-Mystery on the grounds that Mamleev gives it the status of the third metaphysical Beginning, along with the Absolute and the Abyss. (shrink)

The article dealt with the question of the ratio of Yuri Mamleev’s I-utrism to Tradition. The problem is in the contradiction between two positions, which Mamleev notes in different places of “The Destiny of Being” – a view of the I-utrism as a new approach within the framework of Tradition, and as going beyond it with the introduction of extraneous elements. Based on the connection between the I-utrism and the “Last Doctrine”, which clearly lies outside the Tradition, the author of (...) the article concludes that the I-utrism should not be considered as a new approach within the framework of the Tradition, but as an autonomous construction to it. According to the author, the I-utrism due to its own radicalism contains two key problems that lead not only to a break with Tradition but also to a violation of the inner integrity of Mamleev’s philosophy itself. These two problems are defined as the radicalization of the Vedanta formula “Atman = Brahman” and the absence of the figure of the Other. I-utrism forms unified I, which the author of the article proposes to call “I-total”, because it displaces everything but itself, including the classical concept of the Absolute. Hence the lack of a topos for Mamleev’s concepts such as “Abyss” and “Eternal Russia”. It is compounded by the prevention of the metaphysical event of the Other, which is especially important for the idea of a metaphysical and mysterious Russia that requires intersubjectivity. In the process of analyzing these problems and issues, the article compares the philosophical positions of Stirner and Mamleev, as well as addresses the topic of demonic I-utrism. After all, the author concludes that the I-utrism needs to be revised and softened. This would allow it to exist organically in the overall picture of Mamleev’s worldview and not lose touch with Tradition despite the inevitable exit from it. (shrink)

The author of the article studies the creative legacy of Yuriy Mamleev, trying to establish the correlation between of his philosophical and fiction writings. The conventional editorial distinction between philosophical and literary texts as different and autonomous categories is rejected. Instead of the idea, that philosophical and fictional aspects of texts by Mamleev are inextricably linked, it is claimed that they should be considered together. In the author’s opinion, these texts present different perspectives and implementations of his oeuvre that contains (...) the rational dimension and on the other hand – irrational dimension of artistic images and obscure allusions. Mamleev’s writings considered by means of 5 crucial “metathemes”: Аbyss and the “Ultimate relationships” concerned with it, the Mystery which has two levels – one cognizable and the another – uncoognizable in principal, the “root of self-being” and metaphysic of “I”, death and immortality, Russia and the Russian soul which are existed between West and East with special historical and cosmological mission. It is concluded that these 5 metathemes pervade all Mamleev’s texts and comprise his spiritual search. The characters of Mamleev’s fiction are mostly people of post-Soviet world, who ask questions with no set answers to become acquainted with the secrets of being. At the same time they are concerned with their own existence, their self destiny. Their actions are extraordinary and illogical. Supposedly Mamleev’s artistic images not only correspond with his philosophical ideas, for instance – utrism or the “Ultimate relationships”, but also reveal them from unexpected perspective. The author determines that distinction between philosophy and literature of Mamleev is incorrect, as these areas are conflated. Any distinction of this kind will ruin the logic of Mamleev’s thinking and outlook. Thus, metaphysical realism can be viewed as the crossing, distinction blurring area, productive and creative transgression. Or as the situation when philosophy is more than it is itself. (shrink)

The article is devoted to the philosophy of industrial design as the most important area of aesthetic and engineering activity of people, shaping the appearance of modern society. The object of the study is industrial design, and its subject is the philosophical foundations of industrial design. The goal of the study is to identify the philosophical essence of industrial design in epistemological, ontological and anthropological dimensions. Attention is paid to the historical aspects of industrial design, which allows us to more (...) accurately understand the essence of this phenomenon. The author’ also considered modern industrial design, which in its philosophy is characterized by a strong anti-globalist orientation. It is noted that the philosophical understanding of industrial design contributes to the understanding of the features of its historical development. The main conclusion of the study is that industrial design has a certain philosophical content associated not only with the aesthetic side of reality, but also with its axiological and ethical structure. The epistemological problems of industrial design are important: products act as carriers of certain knowledge and concepts and accumulate the cultural experience of mankind. Anthropological problems of design are associated with the model of a human creator and a human recipient of activity. The scientific novelty of the research lies in the understanding of industrial design, which is a systemic object, developing in space and time. In its existence, this object combines presence and “service”, independent givenness and significance for a person. (shrink)

The subject of this study is a set of alleged contradictions in the development of artificial intelligence, pursued in order to achieve their overcoming. Philosophical anthropology contains the potential to analyze complex interactions, to articulate the problems that arise between artificial intelligence and humans. The philosophical and anthropological analysis of artificial intelligence is aimed at understanding this human phenomenon, human presence and its experience. The article is an attempt to identify and outline the trajectories for the possible resolution of the (...) contradiction in the development of artificial intelligence, the analysis of the parameters proposed by philosophical anthropology to solve their problems in the modern socio-cultural situation. The relevance of the proposed problem arises in the fact that artificial intelligence qualitatively changes the existence of a person, and in philosophical anthropology there is a potential to outline the prospects for the development of artificial intelligence, while preserving the languid human in a person. To study this perspective is very important in society. The novelty of the topic raised in the article is the analysis of solving the problems of artificial intelligence from the standpoint of philosophical anthropology, in the articulation of contradictions in the development of artificial intelligence, in the search for solutions to overcome these contradictions. Philosophical anthropology provides tools for a balanced decision on the development of artificial intelligence, the degree of its impact on human existence. (shrink)

This publication aims to analyze the economic, social, and cultural phenomena that first appeared in the "era of revolutions" that occurred in the nineteenth to early twentieth centuries. The modern European trend toward tolerance, which is the basis of current social and cultural changes, including in our country, has specific intellectual grounds. The subject of the study was the ideosphere of the nineteenth and early twentieth centuries, including philosophical, economic, and psychological concepts that gave rise to modern trends in these (...) areas. The result of this study was the determination of the reasons that caused the change of the ideological paradigm in Europe. The novelty of the research lies in the fact that, for the first time, the intellectual foundations of the formation of tolerance as an actual socio-cultural phenomenon are analyzed. This article consistently proves that among the first such grounds, it is possible to determine the emergence of machine production and, as a result, the appearance of a mass person with a culture corresponding to them, performing a compensatory and entertaining function. The most important cultural foundation is mainly the intellectual "background" created by the teachings of Friedrich Nietzsche, Karl Marx, and Sigmund Freud. The ideas of Anglo-American pragmatism played a significant role in forming a new morality, which included the denial of religion and its values, giving it a utilitarian character. During the subsequent historical period and at present, these views have become the basis for the creation of the so-called "individual faith," in which religion ceases to be the guide of human life but only serves the needs of the individual. The desacralization of religion leads to the study of different aspects of sexuality, which opens up the possibility for modern thinking about gender. The concept of "natural law" should also be attributed to the intellectual factors of the formation of modern European tolerance. (shrink)

The purpose of the study is to identify the needs of bachelor students of various areas in the field of fine arts in the skills of mastering computer graphics and using its various types in professional activities. The Federal State Educational Standard in the areas of education, general and professional competencies associated with the possession of computer graphics, methods and techniques of work necessary for organizing a holistic process in this discipline are analyzed.